A history of the gypsies of Eastern Europe and Russia

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Sylvia Rodríguez

The Matachines Dance - "the beautiful dance of subjugation," as Sylvia Rodriguez calls it - derives from a genre of medieval European folk dramas symbolizing conflict between Christians and Moors. Spaniards brought it to the Americas as a vehicle for Christianizing the Indians. In this book, Rodriguez explores the colorful, complex, and often enigmatic Matachines dance as it is performed today by Pueblo Indians and Hispanos in New Mexico. Previous studies of the Matachines dance dealt mainly with its origins, distribution, and descriptive details. Rodriguez's work instead focuses on the larger cultural, ecological, historical, and political-economic setting within which each community's performance is organized. She analyzes observed behavior, incorporates native explanation, and interprets the dance's symbols in attempting to discover what the dance means to those who perform it and what its performance reveals about the people who do it. For both Indians and Hispanos in New Mexico, the dance is not merely an archaic survival but an ongoing way of coping with and commenting on the history of ethnic domination as it continues to unfold in the upper Rio Grande valley.

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Nancy Vine Durling

In this first volume of critical essays ever devoted to Jean Renart's work, contributors draw on political and social history, women's studies, translation theory, musicology, and literary theory to illuminate Jean's remarkable contribution to the highly complex genre of courtly romance. An extraordinary blend of realism and high artifice, unique in its combined use of songs and narrative, Jean Renart and the Art of Romance offers zestful dalliances in high places, handsome but self-serving knights, and a beautiful woman whose decisive intelligence allows her to triumph over daunting odds. An important contribution to our understanding of thirteenth-century romance, this volume of essays will prove of interest to scholars of medieval French literature, history, musicology, and codicology.

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Lillian M. Bisson

Divided between the outer world of affairs and the inner world of poetic insight, Chaucer sought to make sense of his changing, conflicting world. In Chaucer and the Late Medieval World, Lillian M. Bisson examines the societal issues that the poet explored in his work. Bisson provides lively interpretations of Chaucer's texts, especially The Canterbury Tales, in the context of the paradigmatic shifts taking place around him, and offers a broad historical overview - often going back to the Early Christian period - to help the reader grasp the significance of those shifts. She focuses on three major areas of medieval life - religion, class/commerce, and gender - all of which were experiencing considerable change in the fourteenth century.

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Kurt A. Schreyer

"In Shakespeare's Medieval Craft, Kurt A. Schreyer explores the relationship between Shakespeare's plays and a tradition of late medieval English biblical drama known as mystery plays. Scholars of English theater have long debated Shakespeare's connection to the mystery play tradition, but Schreyer provides new perspective on the subject by focusing on the Chester Banns, a sixteenth-century proclamation announcing the annual performance of that city's cycle of mystery plays. Through close study of the Banns, Schreyer demonstrates the central importance of medieval stage objects--as vital and direct agents and not merely as precursors--to the Shakespearean stage." -- Publisher's description.