The Taming of the Shrew

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Alison Lurie

Like a loyal Victorian wife, Jenny has devoted her life to her much older husband, the famous writer and naturalist Wilkie Walker, bringing up their children and researching and editing his best-selling books. But this year, as winter approaches, Wilkie is increasingly depressed and withdrawn. At her wit's end, Jenny persuades him to visit Key West, the Last Resort. Within weeks of their arrival Jenny not only has a part-time job but is becoming involved with assorted local characters, including Gerry, an ex-beatnik poet, and Lee, the dramatically attractive manager of a women-only guesthouse. Wilkie, meanwhile, is planning his own "accidental" death by drowning--a task that turns out to be more difficult than he thought--and trying to avoid the attentions of a breathless young female fan.

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Niccolò Machiavelli

The Prince (Italian: Il Principe [il ˈprintʃipe]; Latin: De Principatibus) is a 16th-century political treatise written by Italian diplomat and political theorist Niccolò Machiavelli as an instruction guide for new princes and royals. The general theme of The Prince is of accepting that the aims of princes – such as glory and survival – can justify the use of immoral means to achieve those ends. From Machiavelli's correspondence, a version appears to have been distributed in 1513, using a Latin title, De Principatibus (Of Principalities). However, the printed version was not published until 1532, five years after Machiavelli's death. This was carried out with the permission of the Medici pope Clement VII, but "long before then, in fact since the first appearance of The Prince in manuscript, controversy had swirled about his writings". Although The Prince was written as if it were a traditional work in the mirrors for princes style, it was generally agreed as being especially innovative. This is partly because it was written in the vernacular Italian rather than Latin, a practice that had become increasingly popular since the publication of Dante's Divine Comedy and other works of Renaissance literature.

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Charles A. Riley II

Modernism generally signifies the efforts of late 19th century European painters, writers, musicians and philosophers who consciously broke with tradition. This is an examination of what that meant for those aristocrats who were also modernists.

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Christopher G. White

"This book examines how nineteenth- and twentieth-century American believers rejected older, often evangelical, theological traditions and turned to scientific psychologies to help them formulate new ideas about mind and spirit and new practices for spiritual growth. Christopher G. White looks in particular at how a group of liberal Protestants, including William James and G. Stanley Hall, turned away from traditional Christian orthodoxies and built a revised religious identity based on new psychological motifs and therapies. Whereas the conventional wisdom about these religious positions and abetted secularization. White points out that they did not minimize or obliterate belief but aided and reshaped it in unexpected ways. Unsettled Minds is the first book to explain the dramatic rise of new spiritualities of the mind, spiritualities that, but the early twentieth century, were turning eagerly to scientific and clinical psychological studies to reimagine religion and the problems of religious uncertainty."--BOOK JACKET.