Revolution and religion in the music of Liszt

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Bernard Hamon

A travers cet essai critique, Bernard Hamon s'appuie sur les textes de George Sand pour montrer que sa pensée religieuse ne peut entrer "dans le moule de religions existantes". Spiritualiste et humaniste, elle est "empreinte d'une religiosité cosmique en dehors de toute confession". "Je suis toujours croyante, tout à fait croyante en Dieu. La vie éternelle. Le mal un jour vaincu par la science. La science éclairée par l'amour. Mais les symboles, les figures, les dieux humains ? Bonjour ! J'ai dépassé tout cela. Je suis entrée dans l'univers, et voilà." Extrait de Journal intime.

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Guglielmo Ferrero

"The third volume of a trilogy. The first two volumes--The gamble and The reconstruction of Europe--were originally published in Paris. The principles of power is appearing in New York because it could not be published in Europe on account of the greatly increased censorship."--Pref.

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Edward L. Galligan

Postmodern critics fail to ask the truth-seeker's essential question, What does the evidence prove? Instead they trust the generalizations and slogans of ideologies to guide their interpretations. Attempting to be up-to-date and profound, these critics lose sight of the literature they are supposed to explore. The Truth of Uncertainty celebrates values commonly associated with modern, not postmodern, criticism, applying them to contemporary works in a series of fresh and unusual inquiries. Galligan finds important implications for criticism in work from the physical sciences that are rarely touched on by American intellectuals, such as Gerald M. Edelman's Bright Air, Brilliant Fire: On the Matter of the Mind and Roger Penrose's The Emperor's New Mind: Concerning Computers, Minds, and the Laws of Physics. Likewise, he finds illumination in the works of novelists that American critics have largely ignored - Josef Skvorecky, George V. Higgins, Mary Lee Settle, Robertson Davies.

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Lee Margaret Jenkins

"This revisionary study of Wallace Stevens queries the dominant interpretations of the poet's career. It redirects the reader's attention to the neglected achievement of Stevens's first book, Harmonium (1923), and examines the pluralism of these early poems in the context of current critical revaluations of modernisms." "The originality of this book lies in its new interpretation of Stevens, and in its British (and Irish) viewpoint. A principal contribution is the extended discussion of Stevens's relationship with the Irish poet Thomas MacGreevy."--BOOK JACKET.